|
|
|
|
|
|
|
|
|
|
||
|
|
|
|
||
|
|
|
|
|
|
|
|||||
|
|
||||
|
|||||
|
||||
|
|
|
|
|
|
||||
|
|
|
|
|
|
|
|
|
|
|
|
::: Sound And Video :::
|
|
|
|
|
|
|
|
|
|
|
|
|
|
||||
|
|
 Video Clips
Click on the link below to send you to another
page w/a link, that will then lead you to a clip from our performance at the Milwaukee Public Museum in December
of 2005.
Sound Clips
We came across these sets after much rehearsing, experimentation,
and inspiration from "Irish Fest Week" and recorded them on August 26th, 2005.
Below are two very beautiful tunes that we recorded on October 7th, 2005. We wanted to literally
'change the pace' a bit and give you guys a sense of some slower, prettier Irish tunes.
*That first set above
starts with a more traditional feel of a whistle solo with a nice touch of flute the second time through on the first polka
(Rock Cashel), then Heather comes in with a punch on the fiddle getting us through the next two
polkas (Britches Full of Stitches/Mimi and the Next Generation). We then came up with a sweet
transition (inspired by Comas) giving Amy just enough time to switch from whistle to bodhran and go from the polkas to a jig
that our Jeffrey wrote (Controlled Chaos).
The set finishes off with one of Amy's favorite slip jigs (Farewell
to Whalley Range), written by Michael McGoldrick.
**The second set starts
off nice and slow with a lovely barndance (Dance of the Honeybees), then fading out into a
short drumbreak that kicks it into gear, setting you up for three fastpaced reels (Drowsy Maggie/Mountain
Road/Tam LInn). Be sure and listen for the sweet break that happens
when we transition from Drowsy Maggie into Mountain Road ... a transition that was once again an inspiration to us from Irish
Trad band Comas.
For Bookings Please Contact Us At:
 |
|
|
|
||||
|
||||
|
||||
